Yoko talks about playing solo piano
Playing solo jazz piano is completely different from playing with a trio. It’s much more of a challenge. If I stop playing, there’s no sound … only silence. The solo pianists I admire purposely use the silence as a voice. I strive to do the same but sometimes I feel naked on the stage.
You could just play the same as you do just minus the rhythm section, but that’s not really solo piano. There’s a lot of responsibility. I have to play the melody, chords, and bass line all while creating the rhythm and driving the beat — all by myself. I can’t rely on the bass or drums to have my back.
I’ve listened a lot to pianists like Lennie Tristano and Dave McKenna. I studied how they played bass lines and how they played both chords and melody at the same time with only the right hand. I remember Bill Evans on Marian McPartland’s radio show saying his favorite style was solo piano because it was where he could be the most creative.
You’re almost forced to be more creative, but in some ways it happens easier because you’re the one in control. You don’t have to worry about giving a cue to the rhythm section, or worry if the bass player can play the key change, or if the drummer will play the change in tempo. It’s liberating to be able to do anything you want at any time without having to answer to anyone.
I play several solo piano gigs each month and people always ask me if I’ve recorded a solo piano CD yet. Not yet, but it may be in my future!